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Buy The Girl with the Dragon Tattoo (Millennium Trilogy) Reviews
The Girl with the Dragon Tattoo (Millennium Trilogy)
An international publishing sensation, Stieg Larsson’s The Girl with the Dragon Tattoo combines murder mystery, family saga, love story, and financial intrigue into one satisfyingly complex and entertainingly atmospheric novel.
Harriet Vanger, a scion of one of Sweden’s wealthiest families disappeared over forty years ago. All these years later, her aged uncle continues to seek the truth. He hires Mikael Blomkvist, a crusading journalist recently trapped by a libel conviction, to investigate. He is aided by the pierced and tattooed punk prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption.
From the Trade Paperback edition.Amazon Best of the Month, September 2008: Once you start The Girl with the Dragon Tattoo, there’s no turning back. This debut thriller–the first in a trilogy from the late Stieg Larsson–is a serious page-turner rivaling the best of Charlie Huston and Michael Connelly. Mikael Blomkvist, a once-respected financial journalist, watches his professional life rapidly crumble around him. Prospects appear bleak until an unexpected (and unsettling) offer to resurrect his name is extended by an old-school titan of Swedish industry. The catch–and there’s always a catch–is that Blomkvist must first spend a year researching a mysterious disappearance that has remained unsolved for nearly four decades. With few other options, he accepts and enlists the help of investigator Lisbeth Salander, a misunderstood genius with a cache of authority issues. Little is as it seems in Larsson’s novel, but there is at least one constant: you really don’t want to mess with the girl with the dragon tattoo. –Dave Callanan
An international publishing sensation, Stieg Larsson’s The Girl with the Dragon Tattoo combines murder mystery, family saga, love story, and financial intrigue into one satisfyingly complex and entertainingly atmospheric novel.
Harriet Vanger, a scion of one of Sweden’s wealthiest families disappeared over forty years ago. All these years later, her aged uncle continues to seek the truth. He hires Mikael Blomkvist, a crusading journalist recently trapped by a libel conviction, to investigate. He is aided by the pierced and tattooed punk prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption.
From the Trade Paperback edition.
List Price: $ 14.95
Price: $ 14.95
True Detective (Nate Heller)
In the mob-choked Chicago of 1932, private detective Nathan Heller may be willing to risk his life to earn a Depression dollar, but he never sacrifices his slicing wit. That's why mystery fans and critics alike rank the historical thriller True Detective at the top of their lists —and why the book swept up a Shamus Award for best novel from the Private Eye Writers of America.
Author Max Allan Collins on True Detective
A: Nate Heller is my favorite among my characters, and the concept of the traditional private eye solving the great mysteries of the 20th Century is something that appeals to me. I was a fan of historical novels like Captain From Castille and Prince of Foxes as a kid, and of course was interested in detective stories for as far back as I can remember, so the Heller mix of history and noir hits me hard. But after twenty years of writing more or less steadily about him, I took a break of about a decade to work on projects that became possible after the enormous success of Road to Perdition. This included Perdition sequels, but also a series of historical novels that did not involve Nate Heller — my “disaster” series that began with The Titanic Murders and such works as Black Hats and Red Sky in Morning (both written under the now-discarded Patrick Culhane penname).
Dick Tracy, Batman, CSI and such movie tie-in novels as Saving Private Ryan and American Gangster were the kind of gigs a professional writer takes to do two important things: flex different muscles; and put bread on the table. Both noble goals.
Q: You write graphic as well as traditional novels. How is writing for 
A: My dream professional as a child–this lasted into junior high–was cartoonist. I loved comic strips and comic books, and back when I took over the DICK TRACY strip in 1977, a lot of media focused on the “dream-come-true” nature of that job for me, since TRACY was my favorite comic as a kid, and I was only 22 at the time. So wanting to create comics predates my trying to write prose. I like to think my love for comics and film has given my fiction some visual snap. But I consider myself a storyteller, and like to use the correct medium for a certain project. Some stories are best told as films, others as comics, others as novels, and I work in all three fields. The recently released DVD, The Last Lullaby, is a screenplay I co-write based on my Quarry hitman novels.
Interestily, Road to Perdition was a spin-off of Nathan Heller. Around 
Q: The Nathan Heller mysteries weave together historical and fictional events. Tell us a little about the research that goes into these titles.
A: The research is, frankly, massive. Years can go into the research of a historical case, and it’s ongoing not just for the book at hand but contemplated future ones. My chief research associate, George Hagenauer, has been with me since the very start. He lived in Chicago and helped me–an Iowa boy–learn about and understand the Second City and its quirky ways. The research itself entails reading books on the subject but also looking at newspaper files in depth, usually visiting the sites and sometimes interviewing participants. Essentially, I pick a case–like the Lindbergh kidnapping in Stolen Away–and do enough research to write the definitive non-fiction work on that case… then I write a private eye novel instead. Many of the historical subjects we’ve dealt with in the Heller novels, as well as the Eliot Ness novels that spun off from Heller, have led to groundbreaking research that others, quite frankly, have appropriated to write non-fiction accounts.
A: I wanted to write a private eye novel–this was the early 1970s–but couldn’t imagine that character in modern dress. Other writers have proven me wrong, but I thought the P.I. was played out. That the best way to deal with him was in an historical context. A big element was the day I noticed that The Maltese Falcon, the greatest of all noir mysteries, was copyrighted 1929… the year of the St. Valentine’s Day Massacre. This meant that Sam Spade and Al Capone were contemporaries, and it meant that I could put the Bogart-style noir detective into more than just an historical context, but in history itself. Toward that end, the role Heller plays in any given novel is usually one played by one or more real investigators. By the way, it took almost ten years from concept to final execution–True Detective was a big project for a young writer.
Q: When you started this project did you ever imagine it becoming a series that would span almost 30 years? Does it ever surprise you how far Nathan and you have come?
A: Initially, I was just trying to write one book–a big book, and an 
Q: You write a lot of period fiction as well as modern. Do you prefer a certain era? If so, what attracts you to that time period?
When I was writing the DICK TRACY comic strip, I took pride in doing modern crimes and keeping the strip contemporary and fresh. The MS. TREE comic book I did in the eighties and nineties–which will be revived soon–was also keenly contemporary, with subjects ripped from the headlines. But I admit I am most attracted to the mid-20th Century–the twenties through the sixties. They are interesting times, colorful and compelling. I’m afraid I am a 20th Century man at heart.
In the mob-choked Chicago of 1932, private detective Nathan Heller may be willing to risk his life to earn a Depression dollar, but he never sacrifices his slicing wit. That's why mystery fans and critics alike rank the historical thriller True Detective at the top of their lists —and why the book swept up a Shamus Award for best novel from the Private Eye Writers of America.
List Price: $ 9.99
Price: $ 9.99
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